There are many great questions that have both driven and plagued the human race throughout the centuries: "Why are we here?" "Where are we going?" "What is the meaning of life?" But the most important question of all hits a little closer to home: "What do the pool cleaners really get up to when you're not around?" Are you sure you want to know? Well here's your chance to find out. Trey (J.J. Caroll) and Ethan (Zach Castle) are the Beech Boys, it's their job to clean every pool on the Beechwood estate. But it's fair to say that the boys aren't always totally focused on doing their work, a trait that has a tendency for getting them into trouble. Between that and Trey's abuse of their clients, the Beech Boys are out of favour with the Home Owners Association. Now facing termination, will Trey and Ethan be able to save their jobs - and their easy life by the pool - before it's too late? From the creato

The toys have been living with Bonnie for a while now, and Woody (Tom Hanks) is having to adapt to a life without leadership. But when Bonnie makes herself a new toy - Forky (Tony Hale) - Woody takes it upon himself to show the new guy what it means to be a toy. Forky however, has a different idea. The little spork sees himself as trash (rubbish in real English), and his attempts to throw himself away result in Woody and Forky getting lost during a family holiday. Now they've got to get back to Bonnie before she goes home, and they'll meet some interesting new toys along the way. You may be excused for thinking that Toy Story 3 was meant to be the end of the...well story. But one guy at least, had other ideas. In his directorial feature debut, Josh Cooley shows us that Woody, Buzz (Tim Allen) and the gang still have a story to tell. Something Pixar has always nailed - with Toy Story anyway - is keeping things fresh. Every adventure, instead of feeling like a rehash

When his friend is killed in suspicious circumstances, John "JJ" Shaft (Jessie Usher) must turn to the one man who can help him find the truth, his Dad. John Shaft (Samuel L. Jackson) hasn't seen his son in 25 years, and the kid is not at all like his father. Will they be able to get past their differences and solve this case? Maybe, with a little help from 'Grandpa' - the original John Shaft (Richard Roundtree) - they might have a chance. Much like what Taika Waititi did with Thor: Ragnarok, the follow up to John Singleton's Shaft (2000) may be a little more light-hearted than previous instalments, but this is still very much a 'Shaft' movie - an opening credits recap/montage leaves no doubt. If you enjoy seeing Samuel L. Jackson being his usual smooth-talking badass, you won't be disappointed. Jackson embodies this role perfectly, the old-school, street-smart private detective who really doesn't care who he pisses off. But this t

The Battle of Midway was one of the pivotal battles in the Pacific Theatre, during World War 2. In his first project since Independence Day: Resurgence, Roland Emmerich will tell the story of the men who fought on both sides - although he won't be the first. The teaser trailer is here (check it out below), here's what we thought.  This is a World War 2 movie on the scale of Independence Day, "epic" would be the word I'd use to describe it. I mean, does Roland Emmerich do anything small when it comes to making movies? It's definitely a style he has made work before, and it certainly seems appropriate for telling a story like this. Especially when he appears to be incorporating the attack on Pearl Harbor and the Doolittle Raid into the story - both were factors in the Imperial Japanese Navy's decision to attack Midway. But I can't help wondering if he's bitten off more than he can chew. Midway will likely have a three hour-ish runti

After a close encounter during her childhood, Molly Wright (Tessa Thompson) begins searching for the mysterious agency that polices alien life on Earth. Twenty years later, when she finally manages to track them down, she's able to avoid the wrong end of a neuralyser, bartering instead for employment. For her first assignment, O (Emma Thompson) sends her to the London branch, where she will be working with Agents H (Chris Hemsworth) and High T (Liam Neeson) to uncover a mole in the MIB - a first for the agency. But will they be able to find them in time to stop an invasion of Earth by a hostile alien race? After the popularity of Thor: Ragnarok and the genius pairing of Hemsworth and Thompson, many fans - including myself - were excited to see the pair reunite for a reboot/sequel to the Men In Black franchise. They may be playing vastly different characters to those seen in Ragnarok - a rogue who skates by more on luck than skill, and a logic driven/obsessed geek - but that

The world has changed since the events of Godzilla (2014). Monarch - the agency responsible for locating and studying Massive Unidentified Terrestrial Organisms (M.U.T.O.) AKA 'Titans' - has discovered many new creatures around the world, all of which are in hibernation. But when they start waking up, Godzilla returns to establish order. And the humans are left trying to figure out why this is all happening, before the behemoths take back the planet they once ruled. Michael Dougherty takes over as director for the third instalment of the Monsterverse, and he has gone all out. Compared to the first two movies, the scale of King of the Monsters is off the charts. This is what a big, ridiculous monster movie is supposed to be; big monsters kicking the living shit out of each other, whilst also causing biblical levels of destruction. There's no waiting around for brief glimpses of the monsters this time, they show up early to demand their fair share of screen time. And

Martin Bishop (Robert Redford) leads a group of specialists - including a former CIA officer (Sidney Poitier), a conspiracy theorist/electronics technician (Dan Aykroyd), a young genius (River Phoenix) and a blind phone phreak/sound expert (David Strathairn) - that test the security of banks and other secure facilities. When the NSA hires them to acquire a new advanced code-breaking device, they find themselves caught up in a major conspiracy. Their only way out is to find the person who really wants the device, and prevent them from using it. Sneakers may feel a little dated (OK very dated), but that thankfully hasn't affected it's entertainment value. This is certainly the first movie I've heard of where profanity was actually added to the script in order to achieve a higher age rating. Something that was done to prevent audiences thinking this was a movie for kids. Even today it's still a lot of fun, thanks mostly to some quirky casting. These guys all have