After Thanos (Josh Brolin) successfully wiped out half of all life in the universe, the Avengers - those that remain anyway - are left to pick up the pieces. Each of them must try to deal with what happened in their own way. But when a chance at undoing "the decimation" presents itself, Earth's mightiest heroes must stand together one last time..."whatever it takes." Infinity War may have been a trip through the emotional ringer, but Endgame is more like a rollercoaster ride through it...backwards. This is like nothing we have ever seen in the MCU before, and at the same time feels very familiar. It's safe to say that the stakes have never been higher, the same can also be said of the cost. The MCU has been criticised in the past for it's portrayal of death, and the interesting work-arounds our heroes have used to cheat it. But this time - as promised by the Russos - the price of resurrection is very high, and it's one the Avengers must be

The second trailer for Avengers: Endgame has arrived, and it's a little more hopeful than what we've seen up to this point. If you haven't already seen it, check it out below. It starts off with a little recap, what our heroes have been through over the last ten years, the things they've seen and the people they've lost. Tony thinking about how he became Iron Man, Steve Rogers doing the same with his own past and Thor thinking about his father and how he became King of Asgard, only to see half of his people - if not more - wiped out in an instant. Hawkeye teaching what could be his daughter - or possibly a young Kate Bishop - to use a bow and arrow is a particularly pertinent shot, given that we have no idea what has happened to him since the snap - or "Decimation" as it's said to be known in the movie - other than something caused him to take on a new identity as 'Ronin', and that Romanoff will be the one to hunt him down. 

The God of Thunder returns in his third solo outing and this time he must save Asgard from Cate Blanchett's Hela, the Goddess of Death. But not before he escapes the clutches of The Grand Master (Jeff Goldblum), who forces Thor to participate in a gladiatorial match with his "friend from work". By adding his unique, nutty humour into the mix, director Taika Waititi takes Thor and the MCU in a new direction. Ragnarok is dark and serious and light and funny, all at the same time, and Waititi manages to strike a perfect balance between the two. Despite all of the changes - well tweaks - this still looks like a Thor movie, they haven't tried to distance Ragnarok from the previous entries. But whereas the first two did feel kind of separate from the galaxy we see in Guardians, this one bridges the gap by bringing Asgard into the wider universe. So it's only fitting that our hero faces a new kind of villain. First there's Hela. Having escaped the

Check out the trailer below... Finally, we've caught a glimpse of Taika Waititi's vision for the God of Thunder's third solo adventure. The teaser trailer hints at what Thor (and one of his work colleagues) was up to while the rest of the Avengers were falling out back on Earth.   It appears that Asgard falls victim to Hela (Cate Blanchett), who according to Blanchett "has been locked away for millenia getting more and more cross". After seeing Hela destroy Mjolnir, Thor finds himself in the hands of the Grandmaster (Jeff Goldblum) on the planet Sakaar. There he is forced to fight in a gladiatorial arena and one of his opponents is the Hulk. The big green rage monster is said to be more than just...well a big green rage monster like in previous movies. In fact Ruffalo describes him as having "swagger". There are hints at other new characters, including Valkyrie (Tessa Thompson) and Skurge (Karl Urban).  Tom Hiddleston returns as Loki, w

Back in July 2013, I was on a ferry coming home from a holiday in Europe, the journey would last all night and I was on my own. After boarding I was relieved to find there was a cinema on board, that night's viewing was Now You See Me. I have to admit I was less than excited about this movie but with nothing better to do I thought: why not? As it turned out, Now You See Me was ridiculous, but it was light-hearted, ridiculous fun that I actually quite enjoyed. Skip ahead to present day and Now You See Me 2 has arrived, but has it captured the magic of the first movie? Set a year later, the Horsemen are in hiding and are getting restless. When their next performance goes wrong, the Horsemen find themselves in Macau, where they are forced to work for the mysterious Walter Mabry (Daniel Radcliffe). What does he want and what are his true motives for exposing them? In order to avoid the authorities and expose Mabry, the Horsemen have to pull off one more grand performance.

In 2001 the Spotlight team of The Boston Globe was assigned by their new Editor - Marty Baron - to investigate the allegations that Catholic Priests in the Boston area had molested young children, and that senior members of the church not only knew about it but had gone to great lengths to cover it up. This is the story of that investigation, and the team's struggle to bring the truth to light The last thing I wanted to see with a movie like this was two hours of church bashing. Thankfully that this is far from the case with Spotlight. Instead, director Tom McCarthy - along with writer Josh Singer - delivers a shocking yet compassionate story that focuses on the victims, and the hard work put in by journalists at the Globe to expose this conspiracy. That's not to say that the church doesn't take any flack, because it does, a lot, and deservedly so. To think that the molestation of countless children was not only going on for decades, but was continuously covered up is outr