It's 1969, Indiana Jones (Harrison Ford) is about to retire, when out of the blue his goddaughter Helena (Phoebe Waller-Bridge) shows up with questions about an ancient artifact known as the Antikythera. But she's not the only person looking for it. Jürgen Voller (Mads Mikkelsen) - a Nazi scientist - is also on the trail, and he intends to use the Antikythera to correct what he sees as the mistakes of the past. Making it a race against time for Indy and his new found friend to make sure the past stays the way it is. Indiana Jones and the Dial of Destiny  - awful title, I know -  explodes on to screen with a de-aged Indy and his friend Baz (Toby Jones) causing the retreating German army trouble in 1944. It's the perfect way to kick off what is meant to be Ford's final movie with the fedora and whip - with a lunatic escapade to recover a piece of history, reminiscent of the crusading archaeologist's classic adventures. The technology used to de-age Hollywood's gru

After proving to be a popular part of Mad Max: Fury Road , Furiosa finally has her own movie. One in which we will learn how she became Imperator for Immortan Joe (Hugh Keays-Byrne). Check out the trailer for Furiosa: A Mad Max Saga  below. Now you could argue that Furiosa already has her own movie because despite being a Mad Max  movie,  Fury Road  was really about her struggle to get home, while Max (Tom Hardy) was very much a bystander. But that is often the case with these movies. With the exception of the first movie, Max always seems to be stumbling into other peoples' troubles in his unending search for supplies and solitude. He even turned down the chance of a new home when he fled the Citadel just as Furiosa was anointed as it's new leader. Now, with Anya Taylor-Joy taking on the role, we get to see how she became the woman played so perfectly by Charlize Theron. Taylor-Joy seems like an excellent choice to play a young Furiosa. She brings a tough exterior to the chara

Christopher Nolan's epic biopic proves to be a beautifully chaotic examination of a brilliant but complicated man. Warts and all, so to speak. Based on the book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer , the story telling jumps back and forth through several periods in history in ways that feel random to show us how Oppenheimer became the "father of the Atomic Bomb", as well as the effect his work at Los Alamos had on him and his eventual fall from grace. And yet somehow it all pieces together perfectly. The movie should feel jumbled, but it unravels the man's story smoothly. It simply flows in a way that makes it as gripping as it is fascinating. But it would be nothing - well, nearly nothing - without the incredible cast that brings this story to life. So much so that t he passions of all those involved at Los Alamos - however misguided - are almost palpable. It  is a mammoth cast, filled with famous names and great talent, it's any