The now infamous Axel Foley (Eddie Murphy) is still cracking wise and cracking down on criminals in Motor City, USA. But when his daughter, Jane (Taylour Paige) - a defence lawyer in Los Angeles - takes on a case involving a dead cop and a suspect claiming he was framed, her life is threatened. So for the first time in a long time he's headed back to that other city that has fallen victim to his antics, Beverly Hills. Forty years after Beverly Hills Cop and Axel Foley first hit the big screen, the loudmouth Detroit cop is back to bring some more excitement to the high society lifestyle of Beverly Hills. Part nostalgia trip, part whole new adventure for the renegade cop, Axel F  is a definite return to form for the franchise. Not that this is a particularly high bar, considering the pitiful disappointment that is Beverly Hills Cop III . This new outing is nothing new, nothing ground-breaking, but it is everything we love about  Beverly Hills Cop . And while it doesn't quite reac

Axel F  is almost upon us, which seems like the perfect time to revisit all of the  Beverly Hills Cop movies that came before it. Even though I have all of them on DVD, I'd like to thank Netflix  for making this rewatch a little more convenient... or at least, mobile (and I'm not talking about phones). Beverly Hills Cop  is your quintessential 80's comedy, not to mention the perfect vehicle for an up and coming Eddie Murphy. Just take a second to picture Sylvester Stallone as Axel Foley, or should I say 'Axel Cobretti'? Just imagine how different the movie would have been if that scenario had played out, or you could go and watch Cobra . Murphy is perfect as Axel, a highly skilled police officer who regularly flies by the seat of his pants. His abilities as a police officer are only outmatched by his talents as a bullshit merchant - which he regularly uses to get both in and out of many situations. Making the cigarette bust/truck chase both a brilliant opener and an

  It has been more than 30 years since Captain Pete "Maverick" Mitchell (Tom Cruise) graduated from Top Gun, and he's still pushing the envelope - and his luck. But when the Navy is tasked with a highly dangerous mission inside enemy territory, Mav will face one of his toughest challenges yet; training a new generation of Top Gun graduates to push themselves and their planes to the absolute limit, so they can get the job done. On the face of it Top Gun: Maverick  is your typical sequel. It takes a lot of what we love about its predecessor and rehashes it. And lets face it, that title isn't exactly imaginative. There are even times when it feels like we're working our way through a checklist: flight jacket - check, motorcycle - check, riding motorcycle next to runway as jet takes off - check. They even managed to rehash the awkward meeting on the flight deck of rivals-become-friends. Needless to say, Cruise and his team bet heavily on nostalgia with this one. But i

When government assassin Henry Brogan (Will Smith) decides to retire, some of his former associates deem him a threat. But how do you eliminate one of the world's greatest hitmen? Send his clone - a younger version of himself - to do the job.  Ang Lee pushes motion-capture technology to its limits in his latest endeavour, which sees Will Smith go up against his younger self. It really is uncanny seeing the two Wills stand opposite each other. Bar a shot here and there - where the clone's face gets a little rubbery - it really is a flawless recreation, circa "The Fresh Prince of Bel-Air"/"Bad Boys". The artists at Weta are able to capture all of Smith's performance(s), nothing is lost, all of the emotion he portrays is there, despite all of the work that has been done to de-age him. At times it will even make you think; "what would I say to my younger self?" However, once you get past the incredible technology used to pit tw