Have you ever wondered how much control we have over our own lives? That question is the central theme of Rewriting Mallory , as we follow two people struggling to deal with lives marred by tragedy. Drifting between Joshua's attempts to deal with the loss of his sister through writing and Mallory having what could be the worst day of her life, this curious short film offers an interesting perspective on their two lives. One reminiscent of Morpheus' words to Neo in The Matrix  about Dorothy; "tumbling down the rabbit hole". Yes, Director Emerson Adams certainly conjures some colourful imagery with this one! Strangely, for a film that handles themes such as grief and trauma in such a grounded and sensitive way, it also pulls off one hell of a magic trick. Rewriting Mallory  starts off as one thing, essentially lulling you into a false sense of security, before jack-knifing your entire  understanding of what's going on. A move that somehow adds to the intrigue withou

During the pandemic therapist Doctor Peter Marcus (Timothy J. Cox) continues to treat his patients through video calls. But in a world in which many are struggling, who helps the helper? The first thing that strikes you when watching Live Health  is a sense of familiarity. We all lived with lockdown for two years, on and off. And there were times when it felt like it may never end. This sense of confinement and uncertainty is captured perfectly by the directing team of star Timothy J. Cox and his wife Jamie. Then there's the loneliness. The good doctor may be meeting with several patients through the course of his day, but seeing it all happen through a series of video calls - and all from the doc's perspective - really rams home the fact that talking to someone through a screen is no substitute for real human interaction. The second thing that strikes you is how difficult it must be, helping people with their issues when you're struggling with your own. Now you could argue

After his son is killed in the line of duty, a veteran police detective struggles with thoughts of vengeance. Does he trust the system and his fellow colleagues to bring the killer to justice? Or should he take the law into his own hands? Rather than being any kind of police drama, After  is a gripping exploration of grief, and the toxic effect it can have on us. Told through a conversation between father and daughter, there is an expanse forming between them, caused by their individual feelings of loss. A void that - thanks to two magnificent performances, and a subtle shooting style - is right there on the screen for us to see. Their pain, almost palpable. This isn't your typical angry Hollywood cop either. Burned by grief and out for revenge. No, this is about a father contemplating the unthinkable, and the daughter trying to pull him back from the brink. Beth Metcalf and Timothy J. Cox have a very genuine bond on screen. Together they bring Annie and Michael Darcy to life in qu

Virgil, a college writing student, hopes to have his latest story published, but he must first get over one major hurdle before his work gets out to the world, his mercurial writing professor Richard Laymen. Sisyphus Unbound proves to be the perfect title for this oddly relatable and rather compelling tale of student and teacher - and yes, I did have to look up who Sisyphus was (Greek mythology is definitely not my strong suit). We've all had at least one teacher who seemed to have it in for us, or at the very least we didn't like. Now this may be an extreme example, but it's a role that Timothy J. Cox seems to revel in, because there is something delightfully despicable in his portrayal of the evil professor. While - in complete contrast - Frederick J. Todd turns Virgil into a kind of hero of the downtrodden. It would have been easy for Todd to play Virgil in a way that makes him appear a little pathetic. Instead he makes it about a man finding his voice, and his courage.