Peter Gibney is a long time agent who is known in the modelling industry for being kind, generous and supportive of the people he represents. Model Hope Harmon has been with Peter the longest of all his clients, close to 15 years. They have a very close, familial relationship and as a result, have made each other very successful. There is a major clothing client, Braden-Willoughby, that Peter has been trying to book Hope with, but the client has confided to Peter that they are not remotely interested in Hope, unless she is willing to undergo, in their words "dramatic changes". If I had to choose a word to describe Hard Truths  it might be 'reality'. That certainly seems to be what those behind the film were going for.  We're dropped into the lives of the protagonists for a mere moment, and a very important moment at that, for both of them.  There's no real beginning to it, no real end, and in that way it feels more like watching real life.  It is but a snapsho

After his son is killed in the line of duty, a veteran police detective struggles with thoughts of vengeance. Does he trust the system and his fellow colleagues to bring the killer to justice? Or should he take the law into his own hands? Rather than being any kind of police drama, After  is a gripping exploration of grief, and the toxic effect it can have on us. Told through a conversation between father and daughter, there is an expanse forming between them, caused by their individual feelings of loss. A void that - thanks to two magnificent performances, and a subtle shooting style - is right there on the screen for us to see. Their pain, almost palpable. This isn't your typical angry Hollywood cop either. Burned by grief and out for revenge. No, this is about a father contemplating the unthinkable, and the daughter trying to pull him back from the brink. Beth Metcalf and Timothy J. Cox have a very genuine bond on screen. Together they bring Annie and Michael Darcy to life in qu