Upon arriving in Boston, former investigative reporter Irwin M. Fletcher - AKA Fletch - (Jon Hamm) discovers a dead woman in the house that has been rented for him. He's there in search of stolen art that belongs to his Italian girlfriend (Lorenza Izzo)'s father. Now, in order to find the paintings, Fletch will have to figure out - in his own unique way - why there's a dead woman in his home, and more importantly, who killed her. My initial reaction to the news that Jon Hamm was taking on the role of Fletch, was one of surprise, bordering on shock. Although that may have had more to do with the idea of the tenacious but quirky investigative reporter, made famous by Chevy Chase back in the 80's, returning to the big screen, than Hamm's actual casting. Either way, it did seem strange to try to revive a character so synonymous with Chevy Chase and his whacky, improv style. It would almost be like recasting Indiana Jones or Jim Rockford! However, in reality this couldn&

In 2001 the Spotlight team of The Boston Globe was assigned by their new Editor - Marty Baron - to investigate the allegations that Catholic Priests in the Boston area had molested young children, and that senior members of the church not only knew about it but had gone to great lengths to cover it up. This is the story of that investigation, and the team's struggle to bring the truth to light The last thing I wanted to see with a movie like this was two hours of church bashing. Thankfully that this is far from the case with Spotlight. Instead, director Tom McCarthy - along with writer Josh Singer - delivers a shocking yet compassionate story that focuses on the victims, and the hard work put in by journalists at the Globe to expose this conspiracy. That's not to say that the church doesn't take any flack, because it does, a lot, and deservedly so. To think that the molestation of countless children was not only going on for decades, but was continuously covered up is outr