Skip to main content

Posts

Showing posts from June, 2019

Midway | Moustache Teaser Reaction

The Battle of Midway was one of the pivotal battles in the Pacific Theatre, during World War 2. In his first project since Independence Day: Resurgence, Roland Emmerich will tell the story of the men who fought on both sides - although he won't be the first. The teaser trailer is here (check it out below), here's what we thought.  This is a World War 2 movie on the scale of Independence Day, "epic" would be the word I'd use to describe it. I mean, does Roland Emmerich do anything small when it comes to making movies? It's definitely a style he has made work before, and it certainly seems appropriate for telling a story like this. Especially when he appears to be incorporating the attack on Pearl Harbor and the Doolittle Raid into the story - both were factors in the Imperial Japanese Navy's decision to attack Midway. But I can't help wondering if he's bitten off more than he can chew. Midway will likely have a three hour-ish runti

Men In Black: International | Average Guy Movie Review

After a close encounter during her childhood, Molly Wright (Tessa Thompson) begins searching for the mysterious agency that polices alien life on Earth. Twenty years later, when she finally manages to track them down, she's able to avoid the wrong end of a neuralyser, bartering instead for employment. For her first assignment, O (Emma Thompson) sends her to the London branch, where she will be working with Agents H (Chris Hemsworth) and High T (Liam Neeson) to uncover a mole in the MIB - a first for the agency. But will they be able to find them in time to stop an invasion of Earth by a hostile alien race? After the popularity of Thor: Ragnarok and the genius pairing of Hemsworth and Thompson, many fans - including myself - were excited to see the pair reunite for a reboot/sequel to the Men In Black franchise. They may be playing vastly different characters to those seen in Ragnarok - a rogue who skates by more on luck than skill, and a logic driven/obsessed geek - but that

Godzilla: King of the Monsters | Average Guy Movie Review

The world has changed since the events of Godzilla (2014). Monarch - the agency responsible for locating and studying Massive Unidentified Terrestrial Organisms (M.U.T.O.) AKA 'Titans' - has discovered many new creatures around the world, all of which are in hibernation. But when they start waking up, Godzilla returns to establish order. And the humans are left trying to figure out why this is all happening, before the behemoths take back the planet they once ruled. Michael Dougherty takes over as director for the third instalment of the Monsterverse, and he has gone all out. Compared to the first two movies, the scale of King of the Monsters is off the charts. This is what a big, ridiculous monster movie is supposed to be; big monsters kicking the living shit out of each other, whilst also causing biblical levels of destruction. There's no waiting around for brief glimpses of the monsters this time, they show up early to demand their fair share of screen time. And

Sneakers | Average Guy Movie Review

Martin Bishop (Robert Redford) leads a group of specialists - including a former CIA officer (Sidney Poitier), a conspiracy theorist/electronics technician (Dan Aykroyd), a young genius (River Phoenix) and a blind phone phreak/sound expert (David Strathairn) - that test the security of banks and other secure facilities. When the NSA hires them to acquire a new advanced code-breaking device, they find themselves caught up in a major conspiracy. Their only way out is to find the person who really wants the device, and prevent them from using it. Sneakers may feel a little dated (OK very dated), but that thankfully hasn't affected it's entertainment value. This is certainly the first movie I've heard of where profanity was actually added to the script in order to achieve a higher age rating. Something that was done to prevent audiences thinking this was a movie for kids. Even today it's still a lot of fun, thanks mostly to some quirky casting. These guys all have

X-Men: Dark Phoenix | Average Guy Movie Review

During a mission to save the crew of a damaged space shuttle, Jean Grey (Sophie Turner) is exposed to an immense cosmic energy, one that probably should have killed her. Instead it amplifies her abilities, to the point where she no longer has full control. With people getting hurt, the X-Men have no choice but to step in. But with a secretive alien race - led by the mysterious 'Vuk' (Jessica Chastain) - looking to control Jean and her new found power, will her friends be able to save her before it's too late? Sophie Turner's Jean Grey takes centre stage as Simon Kinberg and Fox take a second crack at turning the Dark Phoenix saga into a movie. I think it's fair to say that X-Men: Dark Phoenix is a lot better than The Last Stand...not that that's saying much. With The Last Stand they made the mistake of relegating the Dark Phoenix storyline to a subplot, at least this time it's *the* story. Interestingly enough history has repeated itself. Twice Bryan

A Private War | Average Guy Movie Review

'A Private War' tells the story of Marie Colvin (Rosamund Pike), a war correspondent for The Sunday Times who was killed in Syria in 2012. Colvin had a reputation for going where no other journalist would, and staying longer than any other journalist would stay. The movie covers her  life from 2001 and her report on the struggle of the Tamil Tigers in Sri Lanka - a trip that would cost her an eye - up to her final assignment, covering the Syrian military's bombardment of the besieged city of Homs. It's incredible to see the lengths that war correspondents like Marie Colvin go to in order to cover conflicts, and report on the very human stories coming out of them. Director Matthew Heineman's background as a documentary filmmaker clearly came in handy, as he accurately recreates warzones from across the globe. Paul Conroy, a photographer who worked with Colvin and was with her in Syria when she died (played by Jamie Dornan in the movie), was also there to act