On 16th July 1969, Neil Armstrong, Buzz Aldrin and Michael Collins were launched into space on what is undoubtedly the most famous mission in the history of space exploration. Their destination, the moon, where Armstrong and Aldrin would become the first humans to set foot on another world. Thanks to the discovery of previously unseen footage, director Todd Douglas Miller and his team have been able to bring this incredible feat of human achievement back to life. Charting events from the hours prior to launch, through their flight to the moon, the landing, the return to Earth and the aftermath, Miller is able to provide whole new perspectives on the mission. Not just from the point of view of the astronauts, but from all those who worked to get them to the moon, and the millions of people who watched from around the world. In many ways it's like you're actually witnessing these events as they take place, rather than watching a documentary. And the lack of a narrator des

After the attack on Pearl Harbor, the Japanese looked to eliminate America's aircraft carriers in order to cripple their fleet. The plan was to attack the US base on Midway Island, drawing the US carriers into a trap. It is the battle that saw the beginning of a massive shift in naval power in the Pacific. Roland Emmerich's re-telling of the Battle of Midway isn't quite as epic as you'd expect it to be. But on the bright side it is better than "Pearl Harbor" - the Michael Bay movie, not the battle - not that that's a major accomplishment. Known for his epic disaster movies - Independence Day, The Day After Tomorrow - Emmerich favours a slow build, allowing his audience to get to know the characters as he gradually positions them for the main event. With Midway, it's a brief history of the early days of the war in the Pacific. However, at times this can feel vague, like the movie is skipping over major details and lacking in context, leavin

It has been ten years since the most fucked up family in Zombieland took us on a tour of their zombie infested world, and things have changed...a bit. The zombies have evolved, there are now different kinds, and the guys have given them appropriate nicknames. But even with Columbus (Jesse Eisenberg), Tallahassee (Woody Harrelson), Wichita (Emma Stone) and Little Rock (Abigail Breslin) moving into a fancy new house, all is not well in zombie paradise. And when Little Rock runs off with a boy, the gang are forced to head off on another dysfunctional road trip. After the success of Zombieland, it was highly likely - inevitable almost - that the people at Sony would want to try and catch lightning in a bottle for a second time. There's no denying that it's great to see Eisenberg, Harrelson, Stone and Breslin together again. Especially under the guidance of Ruben Fleischer, Rhett Reese and Paul Wernick. Much like "Shaun of the Dead", Zombieland took a very marmite

The story of Katharine Gun (Keira Knightley), a translator for British intelligence charged with a breach of the Official Secrets Act. Whilst working for GCHQ, Gun was copied in on an American memo requesting any useful information in relation to UN Security Council delegates. This was part of a surveillance operation - spearheaded by the NSA - designed to secure a UN resolution for an invasion of Iraq. Seeing this as proof of an illegal action, Gun leaked the memo to the media in the hope that it would stop the war. But when Martin Bright (Matt Smith) wrote an article about the memo in The Observer newspaper, GCHQ began hunting for the whistleblower and Katharine faced a prison sentence for trying to do the right thing. The thing that makes this story so incredible is that it doesn't involve the actions of a super spy. No, Katharine Gun was - and still is - a regular person, one who saw something wrong and risked everything to do something about it. Director Gavin Hood (Re

Twenty years ago the future was changed, but not as much as Sarah Connor (Linda Hamilton) had hoped. Now dedicated to a life of hunting terminators, Sarah finds herself on the run with an enhanced soldier from the future named Grace (Mackenzie Davis) and Dani (Natalia Reyes), a young woman whose future is key to the survival of the human race. But will they be able to outrun the deadly new terminator (Gabriel Luna) that's chasing them? Dark Fate follows the same basic premise as the first two movies, and while it never quite lives up to them, it is by far the best movie to have come since, by some considerable margin. It takes the story in an interesting new direction, one that provides an apparently unintentional jab at US immigration and border control policy. As always, thanks to time travel there's someone who needs protecting from a terminator, and a warrior sent back to protect them by the human resistance. Natalia Reyes brings strength to Dani, and an innocence.

The final trailer for Star Wars - The Rise of Skywalker is here, and it looks to be on a scale beyond anything we've ever seen in a galaxy far, far away...if that's even possible. If you haven't seen the trailer (or you just want to watch it again), check it out below: With all the information circling the final instalment in the Skywalker saga, I was expecting something quite dark and sinister when it came to the final trailer. But this actually feels quite hopeful, maybe the people at Lucasfilm are lulling us in to a false sense of security. Either way, this trailer does its job perfectly; it's both exciting and tense, it raises more questions than it answers, and the saga looks to be going out with a massive bang! The Resistance are gathering their forces in preparation for a major battle, possibly a last stand, a battle to end all battles. It appears that Lando Calrissian (Billy Dee Williams) and Chewbacca (Joonas Suotamo) - aboard the Millennium

When Moses (Marchánt Davis) draws the attention of the FBI, he and the other members of his small religious commune - who believe there will be a black uprising to take back the world from their white oppressors - become the target of a calamitous sting operation. Facing eviction from their home, Moses is tempted by an offer of funding and weapons from an undercover informant posing as a member of Islamic State. But the problem is, the Star of Six aren't quite the terrorist group that the FBI have made them out to be. Chris Morris, the director of Four Lions has returned with a new movie depicting something all too real, and in absurd fashion. This time he has shifted focus to the war on terror. As the slogan on the poster points out, The Day Shall Come "is based on a hundred true stories", in which paid informants provide information on supposed terrorist groups, all so the FBI can look like it's keeping America safe. Morris did a lot of research into ca