It has been 25 years since we last saw Bill & Ted, and in that time things haven't gone exactly to plan. Wild Stallyns are back down to two members, and the boys are still trying to write the song that'll unite the world. Things aren't going great with "the Babes" (Jayma Mays and Erinn Hayes) either. So when Kelly (Kristen Schaal) - daughter of Rufus - shows up to inform them that they must write the the song by 7:17pm or all of time and space will cease to exist, they come up with an idea to steal the song from their future selves. In order to help out, their daughters Billie and Thea (A.K.A. Little Bill & Little Ted) take it upon themselves to assemble the most bodacious band. Returning to a franchise after so many years can be a risky prospect, especially one as beloved as Bill & Ted. Will the characters still be relatable? Will their story still be relevant? Or are their previous adventures something we remember fondly, but should be kept in the pa

A group of young mutants find themselves locked away in a mysterious facility. They are told that they pose a threat to society, and that they are there to learn to control their powers. But when strange occurrences begin to rock the facility, the "New Mutants" must fight to discover the truth of their incarceration. When I first heard about The New Mutants, I have to admit I wasn't all that interested. A horror movie set within the X-Men universe? That doesn't sound like my kind of thing, in fact I'm not really a fan of horror movies at all - apart from Get Out. But the more this movie got delayed, and the more I learned about it, the more it got me interested. Although there was a point during the Disney/Fox merger where I - like most people - began to wonder if The New Mutants would ever see the light of day. So when it finally did get a release date, the one they actually stuck to anyway, I thought this is a movie that I really need to see. But the real questi

Like one of the massive space ships that feature within it, the trailer for Denis Villeneuve's take on 'Dune' has landed... and it's magnificent. If you've not seen it, or you simply want to watch it again, you can check it out below: Trying to tame Frank Herbert's legendary sci-fi novel, it seems, is a challenge like no other. But if anyone is up to the task, it's a fair bet that it's Denis Villeneuve. The French-Canadian director is no stranger to reviving beloved sci-fi properties; Blade Runner 2049 is a worthy sequel to the original Blade Runner, and an outstanding movie in its own right - the best of 2017 in my opinion. Add to that his previous projects (Sicario, Arrival, Prisoners), and you've got a director with a talent for combining complex narratives, fascinating characters and stunning visuals, in a way that's both gripping and intelligible. From the moment the trailer begins you can feel the epic scale of what has been created here. G

  An American spy (John David Washington) is tasked with a very dangerous mission, one that has a time sensitive nature and potential global ramifications. In order to achieve his goal, the man known only as "The Protagonist" will have to get close to  Andrei Sator (Kenneth Branagh),  a deadly Russian arms dealer. But what is the Russian up to? And with the threat of something worse than nuclear holocaust hanging over every life on this planet, will our protagonist be able to figure it out in time to stop him? There is no doubt at all that this is Christopher Nolan's most ambitious project to date. If you thought his previous movies were made on a grand scale, you ain't seen nothing yet! Tenet truly is mind-boggling, you could watch it five times and still not have it all figured out - a s is pointed out to Washington's character: "Don't try to understand it, feel it."  Things move fast too. Nolan kicks things off right from the start and he doesn

Well it was quite a weekend for anyone who's a fan of DC Comics. Along with sneak peeks at upcoming projects like Black Adam and The Flash, we were presented with some very interesting trailers.  First up; Wonder Woman 1984. Obviously if it weren't for Covid-19 we would have seen this already, but here we are. It's not a trailer we necessarily needed, but I'm not complaining either, because WW84 looks fantastic. There's not really a lot here that we haven't seen before. Whereas the first Wonder Woman movie was very reserved, like it's 1918 setting, WW84 feels more epic, more grandiose. In creating a movie set in the 80's, Patty Jenkins has embraced the excess of that particular decade. There's even an egotistical wanker with bad hair in the White House! The whole story revolves around greed, there are hints at some sort of McGuffin that can grant your every wish. Which leads to confrontations between a colourful variety of 80's type villains who

Three guys with disabilities - Scotty (Grant Rosenmeyer), Matt (Hayden Szeto), and Mo (Ravi Patel) - looking to have their first sexual experience discover a brothel that caters to their needs. Now they just have to get to Montreal. So they hit the road with Nurse/Driver Sam (Gabourey Sidibe), hoping to get as close to the border as possible before their families figure out where they've gone. Based on a true story, 'Come As You Are' manages to tick all of the usual boxes of a road trip movie, whilst also highlighting a sensitive issue with care and respect. There is definitely an air of American Pie meets Road Trip to proceedings. But where American Pie feels like a cringe-worthy reminder of our awkward teenage years, Come As You Are is actually relevant to society, as well as being a reminder of our awkward teenage years. Through the main characters audiences witness the difficulty of living with disability - watch out for the early scene in which Janeane Garofalo's d

Greyhound is the lead ship in an escort group assigned to protect a convoy of merchant ships crossing the Atlantic in World War 2. Captain Ernie Krause (Tom Hanks), a career Navy man in his first command, must lead the fight against a wolfpack of German U-Boats. But will he be able to fight off the silent hunters long enough to get the convoy to the safety of British waters? If ever there was a reason for you to sign up to Apple TV+, this is it. Much like Christopher Nolan said about Dunkirk, the movie Greyhound is more of an experience than a movie, which makes it a real shame that we didn't get to see it on the big screen, as it was intended. After a very brief introduction, the audience is thrown into the hell of life onboard a ship in the middle of the Atlantic in 1942. The whole story is told from the point of view of Captain Krause and his crew. Events are witnessed from the deck of the Greyhound and the occasional aerial shot, the German U-Boats are only glimpsed briefly as